This evening I’ve decided to do nothing more than vegetate, after wandering like a zombie through my days (schedules which have roughly gone like this – up early, half hour editing/animating, to work (~1hr journey), work, lunch (1hr small group class, 40min editing, 20min eat), work, private class (1-2hrs), to home, photoshop mash / animate, bed (4hrs), up early, repeat) and, having wandered through a few days’ RSS feeds (never made it home last night), decided to post this half-sketched thought process that I’d been writing about our current project without fleshing it out. Picture:

Just random thoughts really, stuff I’d like to think more about really, but don’t have the time, nor the academic prompting.
One thing we’re doing in our current animation is manipulating children’s drawings and voices to construct an alternative vision of place, in particular of Madrid. Above is a work-in-progress street plan for this city, as yet unpopulated by buildings, people, animals, cars, etc. It’s a fairly intricate photoshop construction from a couple of road fragments drawn by children as a part of their own, different, imagining of the city. To be animatable we need something larger, and more structured, so I bashed that out. Below is a skyline, a much simpler cut-and-paste construction from a number of drawings of buildings. It’s just a temp picture at the moment, and may not make it into the final thing.

I’m quite interested anyway in cities, the way they’re constructed both in reality (if we believe in reality, which, as an aside, I’m not sure that I do), in the intentions of designers, and in the imagination. And this is quite a ripe field for exploration, I think. It seems that we might have a chance of touching on something quite profound with this process… but I’ll have to think a bit more before I can put some more intelligent ideas down.
Last night I asked my co-conspirator if we had any ethical concerns about the extent to which we edit the childrens’ pictures (I’d just finished inventing a dinning table out of a Parchís board) and she said, well – it’s better than slavedriving them into drawing picture after picture after picture.
This is probably the kind of thing that only I worry about, and to be honest it’s a fruit of mindless photoshopping that does let the mind wander, but I think that when we’ve finished it will be interesting to consider to what extent what we’ve made belongs to the children and to what extent it what belongs to us. More on this later (or not, you know how these things go).
[Comments appreciated, by the way. I feel like the internet is a bit empty at the moment]